MED. 11.10Discipline of assent
George Long · 1862EN · Long

There is no TERMnature which is inferior to art, for the arts imitate the natures of things. But if this is so, MOTIFthat nature which is the most perfect and the most comprehensive of all natures, cannot fall short of the skill of art. DOGMANow all arts do the inferior things for the sake of the superior; therefore the universal nature does so too. And, indeed, hence is the origin of TERMjustice, and in justice the other TERMvirtues have their foundation: for justice will not be observed, if we either care for middle things [things indifferent], or are easily deceived and careless and changeable.

Original · ancient Greek

ʽΟὐκ ἔστι χείρων οὐδεμία φύσις τέχνηςʼ καὶ γὰρ αἱ τέχναι τὰς φύσεις μιμοῦνται. εἰ δὲ τοῦτο, ἡ πασῶν τῶν ἄλλων τελεωτάτη καὶ περιληπτικωτάτη φύσις οὐκ ἂν ἀπολείποιτο τῆς τεχνικῆς εὐμηχανίας. πᾶσαι δέ γε τέχναι τῶν κρειττόνων ἕνεκεν τὰ χείρω ποιοῦσιν· οὐκοῦν καὶ ἡ κοινὴ φύσις. καὶ δὴ ἔνθεν μὲν γένεσις δικαιοσύνης, ἀπὸ δὲ ταύτης αἱ λοιπαὶ ἀρεταὶ ὑφίστανται· οὐ γὰρ τηρηθήσεται τὸ δίκαιον, ἐὰν ἤτοι διαφερώμεθα πρὸς τὰ μέσα ἢ εὐεξαπάτητοι καὶ προπτωτικοὶ καὶ μεταπτωτικοὶ ὦμεν.

Leopold · Teubner 1908
Commentary

The only four-step demonstration in the corpus. The passage is built as a sorites, unusually explicit for Marcus: (1) no φύσις is inferior to τέχνη, since the arts imitate natures; (2) therefore the most complete of natures will not fall short of the ingenuity of craft; (3) every art makes the worse for the sake of the better; (4) therefore the common nature does so too. From the fourth step δικαιοσύνη is derived.

The opening premise is a quotation. ʽMOTIFΟὐκ ἔστι χείρων οὐδεμία φύσις τέχνηςʼ is given in quotation marks as someone else's saying, and Marcus at once grounds it: καὶ γὰρ αἱ τέχναι τὰς φύσεις μιμοῦνται. The argument from imitation: a copy is never better than its model. From here the road runs straight to the image of MOTIFnature the craftsman — with the difference that here the workshop is proved rather than described.

The word the third step rests on. τῶν κρειττόνων ἕνεκεν τὰ χείρω ποιοῦσιν — "they make the worse for the sake of the better." This is the school's definition of purposiveness: in a craft the subordinate exists for the sake of the principal (the blank for the sake of the finished thing). Transferred to κοινὴ φύσις, it just is Stoic DOGMAprovidence — not attention to particulars but hierarchy for the sake of the whole.

The unexpected conclusion: justice out of physics. ἔνθεν μὲν γένεσις TERMδικαιοσύνης — "hence the birth of justice." The move deserves noting: justice is neither posited as a duty nor derived from a contract, but obtained as a consequence of cosmology. If the whole is so ordered that the lower serves the higher, then the rational part is bound to stand toward the whole accordingly; and hence too the primacy of justice: ἀπὸ δὲ ταύτης αἱ λοιπαὶ TERMἀρεταὶ ὑφίστανται, "from it the remaining virtues have their standing." Cf. 11.1, where the same thesis appears not as an inference but as an identification: right reason and the reason of justice differ in nothing.

Three ways of losing justice. The close lists the conditions of failure: διαφερώμεθα πρὸς τὰ μέσα — "if we are exercised about the middle things" (τὰ μέσα is the school's synonym for the indifferent; the term ἀδιάφορα itself does not occur, and Long inserts a bracketed gloss); and three adjectives in -τικός: εὐεξαπάτητοι ("easily deceived"), προπτωτικοί ("headlong," from προπίπτω, to fall forward), μεταπτωτικοί ("shifting," literally "falling across"). The first concerns desire, the other three assent: justice rests not on good intention but on soberness of judgement. The governing discipline is assent, the sustaining one action.

DisciplineDiscipline of assent
Record added2026-07-16
Statuspublished
Discipline of assent

George Long · 1862· EN · Long

There is no TERMnature which is inferior to art, for the arts imitate the natures of things. But if this is so, MOTIFthat nature which is the most perfect and the most comprehensive of all natures, cannot fall short of the skill of art. DOGMANow all arts do the inferior things for the sake of the superior; therefore the universal nature does so too. And, indeed, hence is the origin of TERMjustice, and in justice the other TERMvirtues have their foundation: for justice will not be observed, if we either care for middle things [things indifferent], or are easily deceived and careless and changeable.

Original · ancient Greek

ʽΟὐκ ἔστι χείρων οὐδεμία φύσις τέχνηςʼ καὶ γὰρ αἱ τέχναι τὰς φύσεις μιμοῦνται. εἰ δὲ τοῦτο, ἡ πασῶν τῶν ἄλλων τελεωτάτη καὶ περιληπτικωτάτη φύσις οὐκ ἂν ἀπολείποιτο τῆς τεχνικῆς εὐμηχανίας. πᾶσαι δέ γε τέχναι τῶν κρειττόνων ἕνεκεν τὰ χείρω ποιοῦσιν· οὐκοῦν καὶ ἡ κοινὴ φύσις. καὶ δὴ ἔνθεν μὲν γένεσις δικαιοσύνης, ἀπὸ δὲ ταύτης αἱ λοιπαὶ ἀρεταὶ ὑφίστανται· οὐ γὰρ τηρηθήσεται τὸ δίκαιον, ἐὰν ἤτοι διαφερώμεθα πρὸς τὰ μέσα ἢ εὐεξαπάτητοι καὶ προπτωτικοὶ καὶ μεταπτωτικοὶ ὦμεν.

Leopold · Teubner 1908
Related5
Commentary

The only four-step demonstration in the corpus. The passage is built as a sorites, unusually explicit for Marcus: (1) no φύσις is inferior to τέχνη, since the arts imitate natures; (2) therefore the most complete of natures will not fall short of the ingenuity of craft; (3) every art makes the worse for the sake of the better; (4) therefore the common nature does so too. From the fourth step δικαιοσύνη is derived.

The opening premise is a quotation. ʽMOTIFΟὐκ ἔστι χείρων οὐδεμία φύσις τέχνηςʼ is given in quotation marks as someone else's saying, and Marcus at once grounds it: καὶ γὰρ αἱ τέχναι τὰς φύσεις μιμοῦνται. The argument from imitation: a copy is never better than its model. From here the road runs straight to the image of MOTIFnature the craftsman — with the difference that here the workshop is proved rather than described.

The word the third step rests on. τῶν κρειττόνων ἕνεκεν τὰ χείρω ποιοῦσιν — "they make the worse for the sake of the better." This is the school's definition of purposiveness: in a craft the subordinate exists for the sake of the principal (the blank for the sake of the finished thing). Transferred to κοινὴ φύσις, it just is Stoic DOGMAprovidence — not attention to particulars but hierarchy for the sake of the whole.

The unexpected conclusion: justice out of physics. ἔνθεν μὲν γένεσις TERMδικαιοσύνης — "hence the birth of justice." The move deserves noting: justice is neither posited as a duty nor derived from a contract, but obtained as a consequence of cosmology. If the whole is so ordered that the lower serves the higher, then the rational part is bound to stand toward the whole accordingly; and hence too the primacy of justice: ἀπὸ δὲ ταύτης αἱ λοιπαὶ TERMἀρεταὶ ὑφίστανται, "from it the remaining virtues have their standing." Cf. 11.1, where the same thesis appears not as an inference but as an identification: right reason and the reason of justice differ in nothing.

Three ways of losing justice. The close lists the conditions of failure: διαφερώμεθα πρὸς τὰ μέσα — "if we are exercised about the middle things" (τὰ μέσα is the school's synonym for the indifferent; the term ἀδιάφορα itself does not occur, and Long inserts a bracketed gloss); and three adjectives in -τικός: εὐεξαπάτητοι ("easily deceived"), προπτωτικοί ("headlong," from προπίπτω, to fall forward), μεταπτωτικοί ("shifting," literally "falling across"). The first concerns desire, the other three assent: justice rests not on good intention but on soberness of judgement. The governing discipline is assent, the sustaining one action.

DisciplineDiscipline of assent
Record added2026-07-16
Statuspublished