MED. 5.1Discipline of action
George Long · 1862EN · Long

In he morning when thou risest unwillingly, EXERCISElet this thought be present- I am rising to the work of a human being. Why then am I dissatisfied if I am going to do the things for which I exist and for which I was brought into the world? Or have I been made for this, to lie in the bed-clothes and keep myself warm?- But this is more pleasant.- Dost thou exist then to take thy pleasure, and not at all for action or exertion? Dost thou not see MOTIFthe little plants, the little birds, the ants, the spiders, the bees working together to put in order their several parts of the universe? And art thou unwilling to do the work of a human being, and dost thou not make haste to do that which is DOGMAaccording to thy nature?- But it is necessary to take rest also.- It is necessary: however TERMnature has fixed bounds to this too: she has fixed bounds both to eating and drinking, and yet thou goest beyond these bounds, beyond what is sufficient; yet in thy acts it is not so, but thou stoppest short of what thou canst do. So thou lovest not thyself, for if thou didst, thou wouldst love thy nature and her will. But those who love their several arts exhaust themselves in working at them unwashed and without food; but thou valuest thy own nature less than the turner values the turning art, or the dancer the dancing art, or the lover of money values his money, or the vainglorious man his little glory. And such men, when they have a violent affection to a thing, choose neither to eat nor to sleep rather than to perfect the things which they care for. But are the TERMacts which concern society more vile in thy eyes and less worthy of thy labour?

Original · ancient Greek

Ὄρθρου, ὅταν δυσόκνως ἐξεγείρῃ, πρόχειρον ἔστω ὅτι ἐπὶ ἀνθρώπου ἔργον ἐγείρομαι· τί οὖν δυσκολαίνω, εἰ πορεύομαι ἐπὶ τὸ ποιεῖν ὧν ἕνεκεν γέγονα καὶ ὧν χάριν προῆγμαι εἰς τὸν κόσμον; ἢ ἐπὶ τοῦτο κατεσκεύασμαι, ἵνα κατακείμενος ἐν στρωματίοις ἐμαυτὸν θάλπω; ἀλλὰ τοῦτο ἥδιον. πρὸς τὸ ἥδεσθαι οὖν γέγονας, ὅλως δὲ σὺ πρὸς πεῖσιν ἢ πρὸς ἐνέργειαν; οὐ βλέπεις τὰ φυτάρια, τὰ στρουθάρια, τοὺς μύρμηκας, τοὺς ἀράχνας, τὰς μελίσσας τὸ ἴδιον ποιούσας, τὸ καθ’ αὑτὰς συγκροτούσας κόσμον; ἔπειτα σὺ οὐ θέλεις τὰ ἀνθρωπικὰ ποιεῖν; οὐ τρέχεις ἐπὶ τὸ κατὰ τὴν σὴν φύσιν;

ἀλλὰ δεῖ καὶ ἀναπαύεσθαι. φημὶ κἀγώ· ἔδωκε μέντοι καὶ τούτου μέτρα ἡ φύσις ἔδωκε μέντοι καὶ τοῦ ἐσθίειν καὶ πίνειν καὶ ὅμως σὺ ὑπὲρ τὰ μέτρα, ὑπὲρ τὰ ἀρκοῦντα προχωρεῖς, ἐν δὲ ταῖς πράξεσιν οὐκέτι, ἀλλ’ ἐντὸς τοῦ δυνατοῦ. οὐ γὰρ φιλεῖς σεαυτόν, ἐπεί τοι καὶ τὴν φύσιν ἄν σου καὶ τὸ βούλημα ταύτης ἐφίλεις.

ἀλλ’ οἵ γε τὰς τέχνας ἑαυτῶν φιλοῦντες συγκατατήκονται τοῖς κατ’ αὐτὰς ἔργοις ἄλουτοι καὶ ἄσιτοι· σὺ τὴν φύσιν τὴν σαυτοῦ ἔλασσον τιμᾷς ἢ ὁ τορευτὴς τὴν τορευτικὴν ἢ ὁ ὀρχηστὴς τὴν ὀρχηστικὴν ἢ ὁ φιλάργυρος τὸ ἀργύριον ἢ ὁ κενόδοξος τὸ δοξάριον; καὶ οὗτοι, ὅταν προσπαθῶσιν, οὔτε φαγεῖν οὔτε κοιμηθῆναι θέλουσι μᾶλλον ἢ ταῦτα συναύξειν, πρὸς ἃ διαφέρονται· σοὶ δὲ αἱ κοινωνικαὶ πράξεις εὐτελέστεραι φαίνονται καὶ ἥσσονος σπουδῆς ἄξιαι;

Leopold · Teubner 1908
Commentary

Genre and place in the book. Book V opens — like Book II — with a morning exercise. But where 02-01 warned of the coming encounter with "troublesome" people (the anticipation of evils), 5.1 is turned not outward but on the very reluctance to rise: it is a pure EXERCISEmorning meditation on the duty of activity. The passage sets the tone for the whole book, in which the themes of "work" (ἔργον) and "the social" (TERMτὸ κοινωνικόν) will be dominant.

The work of a human being (ἀνθρώπου ἔργον). What must be EXERCISEready to hand (πρόχειρον ἔστω) is one thing: "I am rising to the work of a human being." This is the argument from function (Aristotelian in origin): every kind of being has its own work, and its good lies in performing it. Marcus treats reluctance not with an effort of will but with a reminder of function: if I am going to do the things for which I was born and "brought into the world," there is nothing to resent.

For action, not for pleasure. Against the objection "but this is pleasanter" (ἥδιον) Marcus sets a disjunction: were you made πρὸς πεῖσιν or πρὸς ἐνέργειαν — for passive being-acted-upon, or for activity? πεῖσις (what is undergone) is the passive pole, ἐνέργεια the active. "Pleasure" here is not the pathos of pleasure from the doctrine of the passions, but a mode of life of the "sufferer": to lie warm under the blankets is to be one on whom things act, not one who acts.

The creatures at work. An argument a fortiori: MOTIFthe little plants, the little birds, the ants, the spiders, the bees — each does "its own" (τὸ ἴδιον) and thereby "frames" the cosmos. The diminutives (φυτάρια, στρουθάρια) lend the image tenderness and a light irony: if the meanest speechless creatures perform their share in the ordering of the whole, how much less may the human being shirk. Hence the imperative: "do you not hasten to what is DOGMAaccording to your nature?"

The measure of nature. "But one must rest too." Marcus agrees — and introduces the notion of measure (μέτρα) that TERMnature has fixed for sleep as for eating and drinking. The diagnosis is subtle: in pleasures a man exceeds the measure; in his actions he falls short of it, "stopping within what he could do." This is the discipline of desire applied to bodily needs: not asceticism, but measure.

Loving one's own nature. The root of sloth is "you do not love yourself": if you did, you would love your nature too, and its will (βούλημα). Then a caustic comparison: craftsmen in love with their art wear themselves out, forgetting to wash or eat (ἄλουτοι καὶ ἄσιτοι); the engraver, the dancer, the money-lover, the glory-seeker prize their pursuit above sleep and food. And you — do you value your own nature less than the engraver his engraving?

Social actions. The climax is the question: do the TERMsocial actions (κοινωνικαὶ πράξεις) seem to you "cheaper" (εὐτελέστεραι) and worth less zeal? Here the "work of a human being" from the passage's opening receives its content: it is essentially social. Thus 5.1 binds the morning exercise to DOGMAthe social nature of man: the reason to rise is precisely the common good.

The disciplines. The principal one is action (ὁρμή): man is made for ἐνέργεια, for κοινωνικαὶ πράξεις. The secondary is desire (ὄρεξις): the refusal of the "pleasant," measure in bodily things, love of one's own nature. The discipline of assent sounds only implicitly — in the ready judgement with which the day begins.

The exercise. 5.1 is a textbook instance of the EXERCISEmorning meditation: reason's programming intervention before contact with affairs (as against the evening "accounting" in Seneca). The technique is a EXERCISEbrief formula held ready, unfolded into a chain of arguments.

Stylistics. A dialogue with oneself: the retorts of sloth ("but this is pleasanter," "but one must rest too") in quotation marks, answered with counter-questions. A run of diminutives and homely images (the blanket, the engraver, the dancer) lowers the pathos and makes the exhortation domestic, almost playful.

Parallels. Morning exhortations — Med. 8.12; the prescription of 02-01 (ἕωθεν προλέγειν). "Born for cooperation," the common good — Med. 2.1; 5.16 (the good of a rational being is fellowship). The argument from function — Aristotle, NE I 7.

DisciplineDiscipline of action
Record added2026-07-11
Statuspublished
Discipline of action

George Long · 1862· EN · Long

In he morning when thou risest unwillingly, EXERCISElet this thought be present- I am rising to the work of a human being. Why then am I dissatisfied if I am going to do the things for which I exist and for which I was brought into the world? Or have I been made for this, to lie in the bed-clothes and keep myself warm?- But this is more pleasant.- Dost thou exist then to take thy pleasure, and not at all for action or exertion? Dost thou not see MOTIFthe little plants, the little birds, the ants, the spiders, the bees working together to put in order their several parts of the universe? And art thou unwilling to do the work of a human being, and dost thou not make haste to do that which is DOGMAaccording to thy nature?- But it is necessary to take rest also.- It is necessary: however TERMnature has fixed bounds to this too: she has fixed bounds both to eating and drinking, and yet thou goest beyond these bounds, beyond what is sufficient; yet in thy acts it is not so, but thou stoppest short of what thou canst do. So thou lovest not thyself, for if thou didst, thou wouldst love thy nature and her will. But those who love their several arts exhaust themselves in working at them unwashed and without food; but thou valuest thy own nature less than the turner values the turning art, or the dancer the dancing art, or the lover of money values his money, or the vainglorious man his little glory. And such men, when they have a violent affection to a thing, choose neither to eat nor to sleep rather than to perfect the things which they care for. But are the TERMacts which concern society more vile in thy eyes and less worthy of thy labour?

Original · ancient Greek

Ὄρθρου, ὅταν δυσόκνως ἐξεγείρῃ, πρόχειρον ἔστω ὅτι ἐπὶ ἀνθρώπου ἔργον ἐγείρομαι· τί οὖν δυσκολαίνω, εἰ πορεύομαι ἐπὶ τὸ ποιεῖν ὧν ἕνεκεν γέγονα καὶ ὧν χάριν προῆγμαι εἰς τὸν κόσμον; ἢ ἐπὶ τοῦτο κατεσκεύασμαι, ἵνα κατακείμενος ἐν στρωματίοις ἐμαυτὸν θάλπω; ἀλλὰ τοῦτο ἥδιον. πρὸς τὸ ἥδεσθαι οὖν γέγονας, ὅλως δὲ σὺ πρὸς πεῖσιν ἢ πρὸς ἐνέργειαν; οὐ βλέπεις τὰ φυτάρια, τὰ στρουθάρια, τοὺς μύρμηκας, τοὺς ἀράχνας, τὰς μελίσσας τὸ ἴδιον ποιούσας, τὸ καθ’ αὑτὰς συγκροτούσας κόσμον; ἔπειτα σὺ οὐ θέλεις τὰ ἀνθρωπικὰ ποιεῖν; οὐ τρέχεις ἐπὶ τὸ κατὰ τὴν σὴν φύσιν;

ἀλλὰ δεῖ καὶ ἀναπαύεσθαι. φημὶ κἀγώ· ἔδωκε μέντοι καὶ τούτου μέτρα ἡ φύσις ἔδωκε μέντοι καὶ τοῦ ἐσθίειν καὶ πίνειν καὶ ὅμως σὺ ὑπὲρ τὰ μέτρα, ὑπὲρ τὰ ἀρκοῦντα προχωρεῖς, ἐν δὲ ταῖς πράξεσιν οὐκέτι, ἀλλ’ ἐντὸς τοῦ δυνατοῦ. οὐ γὰρ φιλεῖς σεαυτόν, ἐπεί τοι καὶ τὴν φύσιν ἄν σου καὶ τὸ βούλημα ταύτης ἐφίλεις.

ἀλλ’ οἵ γε τὰς τέχνας ἑαυτῶν φιλοῦντες συγκατατήκονται τοῖς κατ’ αὐτὰς ἔργοις ἄλουτοι καὶ ἄσιτοι· σὺ τὴν φύσιν τὴν σαυτοῦ ἔλασσον τιμᾷς ἢ ὁ τορευτὴς τὴν τορευτικὴν ἢ ὁ ὀρχηστὴς τὴν ὀρχηστικὴν ἢ ὁ φιλάργυρος τὸ ἀργύριον ἢ ὁ κενόδοξος τὸ δοξάριον; καὶ οὗτοι, ὅταν προσπαθῶσιν, οὔτε φαγεῖν οὔτε κοιμηθῆναι θέλουσι μᾶλλον ἢ ταῦτα συναύξειν, πρὸς ἃ διαφέρονται· σοὶ δὲ αἱ κοινωνικαὶ πράξεις εὐτελέστεραι φαίνονται καὶ ἥσσονος σπουδῆς ἄξιαι;

Leopold · Teubner 1908
Related7
Commentary

Genre and place in the book. Book V opens — like Book II — with a morning exercise. But where 02-01 warned of the coming encounter with "troublesome" people (the anticipation of evils), 5.1 is turned not outward but on the very reluctance to rise: it is a pure EXERCISEmorning meditation on the duty of activity. The passage sets the tone for the whole book, in which the themes of "work" (ἔργον) and "the social" (TERMτὸ κοινωνικόν) will be dominant.

The work of a human being (ἀνθρώπου ἔργον). What must be EXERCISEready to hand (πρόχειρον ἔστω) is one thing: "I am rising to the work of a human being." This is the argument from function (Aristotelian in origin): every kind of being has its own work, and its good lies in performing it. Marcus treats reluctance not with an effort of will but with a reminder of function: if I am going to do the things for which I was born and "brought into the world," there is nothing to resent.

For action, not for pleasure. Against the objection "but this is pleasanter" (ἥδιον) Marcus sets a disjunction: were you made πρὸς πεῖσιν or πρὸς ἐνέργειαν — for passive being-acted-upon, or for activity? πεῖσις (what is undergone) is the passive pole, ἐνέργεια the active. "Pleasure" here is not the pathos of pleasure from the doctrine of the passions, but a mode of life of the "sufferer": to lie warm under the blankets is to be one on whom things act, not one who acts.

The creatures at work. An argument a fortiori: MOTIFthe little plants, the little birds, the ants, the spiders, the bees — each does "its own" (τὸ ἴδιον) and thereby "frames" the cosmos. The diminutives (φυτάρια, στρουθάρια) lend the image tenderness and a light irony: if the meanest speechless creatures perform their share in the ordering of the whole, how much less may the human being shirk. Hence the imperative: "do you not hasten to what is DOGMAaccording to your nature?"

The measure of nature. "But one must rest too." Marcus agrees — and introduces the notion of measure (μέτρα) that TERMnature has fixed for sleep as for eating and drinking. The diagnosis is subtle: in pleasures a man exceeds the measure; in his actions he falls short of it, "stopping within what he could do." This is the discipline of desire applied to bodily needs: not asceticism, but measure.

Loving one's own nature. The root of sloth is "you do not love yourself": if you did, you would love your nature too, and its will (βούλημα). Then a caustic comparison: craftsmen in love with their art wear themselves out, forgetting to wash or eat (ἄλουτοι καὶ ἄσιτοι); the engraver, the dancer, the money-lover, the glory-seeker prize their pursuit above sleep and food. And you — do you value your own nature less than the engraver his engraving?

Social actions. The climax is the question: do the TERMsocial actions (κοινωνικαὶ πράξεις) seem to you "cheaper" (εὐτελέστεραι) and worth less zeal? Here the "work of a human being" from the passage's opening receives its content: it is essentially social. Thus 5.1 binds the morning exercise to DOGMAthe social nature of man: the reason to rise is precisely the common good.

The disciplines. The principal one is action (ὁρμή): man is made for ἐνέργεια, for κοινωνικαὶ πράξεις. The secondary is desire (ὄρεξις): the refusal of the "pleasant," measure in bodily things, love of one's own nature. The discipline of assent sounds only implicitly — in the ready judgement with which the day begins.

The exercise. 5.1 is a textbook instance of the EXERCISEmorning meditation: reason's programming intervention before contact with affairs (as against the evening "accounting" in Seneca). The technique is a EXERCISEbrief formula held ready, unfolded into a chain of arguments.

Stylistics. A dialogue with oneself: the retorts of sloth ("but this is pleasanter," "but one must rest too") in quotation marks, answered with counter-questions. A run of diminutives and homely images (the blanket, the engraver, the dancer) lowers the pathos and makes the exhortation domestic, almost playful.

Parallels. Morning exhortations — Med. 8.12; the prescription of 02-01 (ἕωθεν προλέγειν). "Born for cooperation," the common good — Med. 2.1; 5.16 (the good of a rational being is fellowship). The argument from function — Aristotle, NE I 7.

DisciplineDiscipline of action
Record added2026-07-11
Statuspublished